Louisa Keyser (Dat-so-la-lee)
Washoe, 1829-1925
Louisa acquired the surname Keyser when she married her husband Charlie Keyser. Her nom d'art was Dat So La Lee, which derives from the Washoe phrase Dats'ai-lo-lee meaning "Big Hips." Her art dealers, the Cohns, described her birth name as being Dabuda, meaning "Young Willow."
The couple began to document every basket she produced from 1895–1925. This expanded to include about 120 baskets that are documented. Most if not all of these documented baskets where sold at Cohn's Emporium, while the Cohn's providing Keyser with food, lodging, and healthcare. The supreme craftsmanship of these baskets certainly add to the value, but the Cohn's early documentation promoted her artwork. Scholars have discovered that almost everything the Cohns wrote about Keyser was an exaggeration or fabrication. Marvin Cohodas (1992). "Chapter 4. Louisa Keyser an the Cohn: Mythmaking and Basket Making in the American West". In Berlo, Janet Catherine. The Early Years of Native American Art History. Seattle: University of Washington Press. pp. 88–133.
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