Woody Crumbo (Woodrow Wilson Crumbo)
Woodrow Wilson "Woody" Crumbo, 1912—1989, (Potawatomi) was an artist, flautist, and dancer who lived and worked mostly in the West of the United States. As an independent prospector in New Mexico in the late 1950s, he found one of the largest beryllium veins in the nation, valued at millions of dollars.
Born near Lexington, Oklahoma, Crumbo moved with his mother to Kansas as a child after the death of his father in 1916. Orphaned in 1919, he spent the rest of his childhood living with various American Indian families around Sand Springs, Oklahoma. When Crumbo was 17, he began studying art at the Chilocco Indian Agricultural School, also taking up the study of the Kiowa ceremonial wooden flute. At the age of 19, Crumbo earned a scholarship to the Wichita American Indian Institute. He graduated three years later as valedictorian. Crumbo continue his studies at Wichita University from 1933 to 1936, where he studied mural technique with Olle Nordmark, watercolor with Clayton Staples, and painting and drawing with Oscar Jacobson. In 1936 Crumbo enrolled at the University of Oklahoma, where he studied for two years with Oscar Jacobson. While studying art, Crumbo supported himself as a Native American dancer, touring reservations across the United States. In 1939, the U. S. Department of the Interior, which includes the Bureau of Indian Affairs, commissioned him to paint murals on the walls of its building in Washington D. C. A few years later, he curated a collection of Native American art at the Thomas Gilcrease Institute in Tulsa. From 1948 to 1960, Crumbo lived in Taos, New Mexico. He exhibited at numerous shows and became more widely known nationally and internationally because he adapted some of his work to techniques of engraving and printing, making multiple originals. In the 1950s, Crumbo bought a $3 mail-order mineral identification kit; he took up prospecting with fellow artist Max Evans. The two found deposits of ore worth millions. Crumbo served as Assistant Director of the El Paso, Texas Museum of Art from 1960–1967 and briefly as Director in 1968.
He left to work independently at art and explore humanitarian efforts. He aided the Isleta Pueblo Indians of New Mexico to gain federal recognition and donated money to help the Potawatomi build a cultural heritage center near Shawnee. In 1973 he took up residence near Checotah, Oklahoma, where he continued to create and to promote Native American art. In 1978, he was inducted into the Oklahoma Hall of Fame.
