Giovanni Battista Tiepolo
Giovanni Battista Tiepolo ; March 5, 1696 – March 27, 1770), also known as Gianbattista or Giambattista Tiepolo, was an Italian painter and printmaker from the Republic of Venice. He was prolific, and worked not only in Italy, but also in Germany and Spain.
Born in Venice, he was the youngest of six children of Domenico and Orsetta Tiepolo. His father was a small shipping merchant who belonged to a family that bore the prestigious patrician name of Tiepolo without claiming any noble descent.
In 1710 he became a pupil of Gregorio Lazzarini, a successful painter with an eclectic style. His earliest known works are depictions of the apostles, painted in spandrels as part of the decoration of the church of the Ospedoletto in Venice in 1715–6. At about the same time he became painter to the Doge, Giovanni II Cornaro, and oversaw the hanging of pictures at his palace, as well as painting many works himself, of which only two portraits have been identified. He painted his first fresco in 1716, on the ceiling of a church at Biadene, near Treviso. He probably left Lazzarini's studio in 1717, the year he was received into the Fraglia or guild of painters.
In 1719, Tiepolo married Maria Cecilia Guardi, sister of two contemporary Venetian painters Francesco and Giovanni Antonio Guardi. In around 1719–20 he painted a scheme of frescoes for the wealthy, and recently ennobled, publisher Giambattista Baglione in the hall of his villa at Massanzago near Padua. In 1722 he was one of twelve artists commissioned to contribute a painting on canvas of one of the apostles as part of a decorative scheme for the nave of San Stae in Venice.
Some major commissions came from the patrician Dolfin family. Dioniso Dolfin, the Archbishop of Udine in Friuli employed him to decorate a chapel in the cathedral at Udine, and then to paint another cycle depicting episodes from the lives of Abraham and his descendants from the book of Genesis at his archiepiscopal palace. His first masterpieces in Venice were a cycle of ten enormous canvases painted to decorate a large reception room of Ca' Dolfin on the Grand Canal of Venice (ca. 1726–1729), depicting battles and triumphs from the history of ancient Rome. These early masterpieces, innovative amongst Venetian frescoes for their luminosity, brought him many commissions. By 1750, Tiepolo's reputation was firmly established throughout Europe. In 1750 he traveles to Würzburg. He remained there for three years during which he executed ceiling paintings in the New Residenz palace, completed 1744.
Tiepolo returned to Venice in 1753. He was now in demand locally, as well as abroad where he was elected President of the Academy of Padua. He went on to complete theatrical frescoes for churches and paintings for patrician villas in the Venetian countryside.
Tiepolo died in Madrid on March 27, 1770.
